As a guitar enthusiast, you know how exciting it is to get your hands on high-quality gear that can take your playing to the next level. That’s why Premier Guitar’s JHS Giveaway is the perfect opportunity for you to win big and take your guitar playing to new heights. With a chance to win one of the most sought-after effects pedals on the market, you won’t want to miss out on this amazing opportunity. So enter now and get ready to rock!
What is Premier Guitar’s JHS Giveaway?
Premier Guitar’s JHS Giveaway is a contest hosted by Premier Guitar magazine in partnership with JHS Pedals. The giveaway offers participants a chance to win a JHS Pedals prize pack worth over $4,000.
What are the prizes?
The JHS Pedals prize pack includes a selection of JHS Pedals, including the Panther Cub V2 Delay, the Colour Box V2 Preamp, and the Emperor V2 Chorus, as well as a JHS T-Shirt and a Premier Guitar subscription.
How do I enter the giveaway?
To enter the giveaway, visit Premier Guitar’s website and fill out the entry form. You will need to provide your name, email address, and other basic contact information. The giveaway is open to residents of the United States and Canada.
When is the deadline to enter?
The deadline to enter the Premier Guitar JHS Giveaway is July 31, 2021. Winners will be selected at random and notified by email on or around August 3, 2021.
Why should I enter the giveaway?
Entering the Premier Guitar JHS Giveaway offers a chance to win a selection of high-quality guitar pedals and accessories from JHS Pedals, a leading manufacturer of boutique effects pedals. Additionally, entering the giveaway is free and easy, and only takes a few minutes of your time.
Entering Premier Guitar’s JHS giveaway can be a game-changer for your music journey. Many users have experienced significant improvements in their guitar playing skills, and some even landed a record deal or got featured in music magazines. Winning this giveaway can give you access to top-of-the-line gear, enabling you to create high-quality music and expand your fan base. Don’t miss out on this fantastic opportunity and enter now for a chance to win big!
With a two-button system for recording and playback, the Clone Looper simplifies many looping maneuvers by eliminating some double-click and hold sequences. But with awesome and trippy features like adjustable playback speed and reverse playback, you can easily take the Clone Loopers simpler looping processes to particularly psychedelic ends. Read the review. This handwired 1×12 combo employs a KT66 power tube for its class-A circuitry, resulting in glassy cleans reminiscent of a tweed Champ, and fat and pleasantly compressed high-gain tones without sacrificing shine. Joe Gore was also impressed with its aesthetic and workmanship, as well as Silktones spring reverb. Just about any Telecaster flirts with perfection in form. But Fender did not rest on their laurels in re-interpreting the 50s-styled variation in the new, affordable Vintera series. The neck is lovely, with a hefty deep-U shape, and the alnico 2 bridge pickup delivers the essence of bright, spanky, and rowdy Tele-ness, while maintaining a warm glow around the edges that is a beautiful match for a touch of vintage-style reverb. Keith Richards, who could have any freaking Telecaster in the world if he wanted it, has used the Telecaster Custom he bought new in regularly ever since. When you play the Vintera version, its easy to understand why. Fenders Tim Shaw worked hard to build a more authentic WideRange humbucker for this instrument, and the work paid offcreating an expansive palette of spanky-to-smoky tones when paired with the alnico 5 bridge single-coil. Adam Perlmutter found that the OM-sized FSX3, which honors Yamahas much-loved red-label guitars of the 70s, feels better-built than the companys original FG guitars, which is no small compliment. A maximalist expansion of TCs popular Hall of Fame 2 pedal, this reverb machine boasts 10 factory settings, six user memory slots, and eight stored patches, accessible via its four hefty footswitches. Origins luxurious stomps feel like outboard studio gear from analog audios golden age. The RevivalDRIVE, however, has so much tone-sculpting power that it actually tends to function and sound like an old recording console module, too. The EQ is powerful, sensitive, and responsive, and the low-end tones are especially delectable. If you need an overdrive that can fill a very specific mix niche, this tool is worth every penny. This ultra-versatile multi-effects pedal captivated PG with its ability to control, shape, and expand natural playing dynamics through its five different types of compression, a 3-band Baxandall-inspired EQ, and a 20 dB clean boost. But the tab is extra-impressive when you hear how well EHX nailed a vintage Rams Heads legendary essence. Its growling, bold in the midrange, and stings like a wasp when you run the gain and tone wide open. If you dont have the bucks for a vintage pedal or a high-end Rams Head clone, this remarkably economical iteration is a must for rounding out your Big Muff collection. This watt, 1×10 combo from the folks at Blackstar got high marks for its retro style, user-friendly, ergonomic control panel, and all points in between. Joe Gore was wowed by the Standards attractive amp and effects emulationsespecially given its modest price tagand shared that Blackstars compact pound combo would make for a convenient gig companion or great living room amp. The Collider, which combines some functionality from the already expansive Ventris reverb and Nemesis delay, seems like it might be a handful to manage.